Construction of a Collective Memory Between Jewish and Islamic Turks
Assmann (2001) writes that sociologist Maurice Halbwachs and Aby Warburg, art historian developed two theories of "collective or social memory." (p.125) Assmann states of collective or social memory that the "…specific character that a person derives from belonging to a distinct society and culture is not seen to maintain itself for generations as a result of phylogenetic evolution, but rather as a result of socialization and customs." (2001, p.125) The cultural survival of this group or type of what Assmann refers to as a "pseudo-species" is stated to be a "function of cultural memory." (2001, p.125)
Cultural Memory
Cultural memory is defined as a concept "through a double delimitation that distinguishes it first, "from what we can communicative or everyday memory which in the narrower sense of our usage lacks cultural characteristics; and secondly, "from science which does not have the characteristics of memory as it relates to a collective self-image." (Assmann, 2001, p.125) Communicative memory is reported to include "those varieties of collective memory that are based exclusively on everyday communications" or that which is constitutes an oral historical account. (Assmann, 2001, p.125) Everyday communication, according to Assmann "is characterized by a high degree of non-specialization, reciprocity of roles, thematic instability, and disorganization." (2001, p.125) This is reported to generally occur "between partners who can change roles." (Assmann, 2001, p.125)
Occasions are stated to be such that "more or less predetermine such communications, for example train rides, waiting rooms or the common table…" including the rules that regulate this exchange. Communication results in the individual composing a memory that is first of all, socially mediated and secondly, which relates to a group. (Assmann, 2001, paraphrased) Oral history has greatly contributed to the understanding of the qualities of collective memory in their everyday form. Assmann states that once the individuals removes themselves from the occasion of everyday communication and then enters "into the area of objectivized culture there is a resulting change in practically everything. In fact, Assmann states that the transition "is so fundamental that one must ask if the metaphor of memory can still be applied.
Assmann states that communicative memory which is characterized "by its proximity to the everyday…." Cultural memory is likewise characterized "by its distance from the everyday. Distance from the everyday (transcendence) marks its temporal horizon." (2001, p.129) In other words, cultural memory contains a "fixed point, its horizon does not change with the passing of time. These fixed points are fateful events of the past, whose memory is maintained through cultural formation (texts, rites, monuments) and institutional communication (recitation, practice, observance)." (Assmann, 2001, p.129)
These are referred to as "figures of memory" and Assmann states that in the "flow of everyday communications such as festivals, rites, epics, poems, images, etc., form 'islands of time', islands of completely different temporality suspended from time." (2001, p.129) The cultural memory involves such "islands of time" which are expansive in nature into "memory spaces of retrospective contemplativeness." (Assmann, 2001, p. 129) Characteristics of cultural memory stressed by Assmann include those as follows:
(1) The concretion of identity or the relation to the group. Cultural memory preserves the store of knowledge from which a group derives an awareness of its unity and peculiarity.
(2) Its capacity to reconstruct: No memory can preserve the past. What remains is only that which society in each era can reconstruct within it contemporary frame of reference.
(3) Formation: The objectivation or crystallization of communicated memory and collectively shared knowledge is a prerequisite of its transmission in the culturally institutionalized heritage of a society.
(4) Organization: This means: (a) the institutional buttressing of communication through formulization of the communicative situation in ceremony; and (b) the specialization of the bearers of cultural memory.
(5) Obligation: the relation to a normative self-image of the group engenders a clear system of values and differentiations in importance, which structures the cultural supply of knowledge and the symbols.
(6) Reflexivity: cultural memory is reflective in three ways: (1) it is practice-reflexive in that it interprets common practice in terms through proverbs, maxims, ethno-theories; (b) It is self-reflexive in that it draws on itself to explain, distinguish, reinterpret, criticize, censure, control, surpass and receive hypoleptically; (c) It is reflexive of its own image insofar as it reflects the self-image of the group through a...
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